Ex Hazelwick media studies student, Noah Twine has released a new short and it is very impressive. Well done Noah, keep up the great work!
Here are the historical revision posters. Be sure to learn some of the key trends of representation of each decade:
Thanks for this Pelin – an interesting response to Black Panther:
Said it before and I'll say it again. I'm all for positive black images but #BlackPanther has now grossed over $1 billion globally and is part of the radicalized black power movement that plays into the divide and conquer paradigm. Nothing coming out of #Hollywood is coincidence. You're being shown these images for a reason. Positive black images have been shown in mass media for years. Some of the greatest actors of ALL TIME are black! #MorganFreeman played GOD. Denzel Washington has plays #MalcolmX and is one of the most well respected men to ever stand in front of a camera. Same for #SidneyPoitier who I love and respect more than just about any other actor. I'm glad to see more blacks in #Hollywood being given more diverse roles but don't play into the agenda. Hell I forgot about #SamuelLJackson #LaurenceFishburn #WesleySnipes in #Blade etc
John Connors won best actor at the Irish Film and Television Awards recently for his role in Cardboard Gangsters. His speech addressed a number of issues including discrimination against Travellers, suicide and how creativity saved his life and has been watched over 1 million times on Facebook alone. He speaks with Guardian journalist Iman Amrani about class, his journey into acting and what he plans to do next.
In 2014, Time to Change worked with Glasgow Media Group to review three months of TV drama, in order to identify themes in the way that mental health problems were being portrayed. Time to Change also surveyed the public about the impact that mental health storylines had on them, and sought insights from big names in the industry. On November 11th 2014, Time to Change produced the report ‘Making a Drama Out of a Crisis’, which found:
- encouraging signs that mental health depictions had become more positive. More storylines had attempted to ‘normalise’ mental health problems and fewer characters with mental health problems were portrayed as violent.
- the growth of a relatively new type of narrative, focusing on the damaging stigma a character with a mental health problem faces.
- the existence of some alternative stereotypes and over-simplifications, for example, about tragic victims and medication.
- over half of the survey’s respondents who recalled seeing a character with mental health problems on TV said that this had helped to improve their understanding of such problems.
- among all those respondents who had personally experienced a mental health problem, a quarter said that seeing a character with similar issues encouraged them to seek professional help.
Although “Black Panther” isn’t the first black superhero film ever (Hancock, Blade, The Meteor Man and Blankman) lots of commentators are claiming that Black Panther is the first real ‘blackbuster’ and therefore it is unsurprising that many are hailing the importance of the film for the African American collective community. The $200m film is directed by African American director, Ryan Coogler and contains an overwhelmingly black cast, of course starring Chadwick Boseman (above). Black Panther challenges the over riding cultural norm that heroes are white males.
Unlike the films we have studied in class, this is definitively a mainstream movie with a huge reach. Therefore, if the film is constructing positive representations for African American males it is likely to have a profound effect upon audiences especially when the film is entering into the cultural consciousness at a when the Black Lives Matters movement is still buoyant, Donald Trump has referred to African countries as “shitholes” and systematic racism seems ubiquitous:
- FRONT COVER OF TIME MAGAZINE – the author, Jamil Smith argues:“This is not just a movie about a black superhero…it’s very much a black movie. It carries a weight that neither Thor nor Captain America could lift: serving a black audience that has long gone underrepresented…For a wary and risk-averse film business, led largely by white film executives who have been historically predisposed to green light projects featuring characters who look like them, Black Panther will offer proof that a depiction of a reality of something other than whiteness can make a ton of money”.
- IMPORTANCE TO THE COLLECTIVE COMMUNITY – activist, Frederick T Joseph is crowdfunding money to help African American children watch the film:“[Black Panther] is something that is not only wrapped in blackness but is also layered and nuanced. It has aspects of feminism, of black non-toxic masculinity, of loss, of pain, of various black existences – and that’s something very important for our kids to see.” After appearing on her show, Ellen DeGeneres donated $10,000. What’s more, there are now more than 200 campaigns worldwide, with over $250,000 raised from more than 4,000 donations.
- A COLLECTIVE CHANGE – Chadwick Boseman accepts that Black Panther is not going to change representations on its own, indeed, “this is one of many things that have happened over the past few years. This moment has been building.” Films such as Mudbound, Selma, A Wrinkle in Time and TV programmes such as Insecure and Atlanta are part of a growing long tail of diverse representations of African Americans.
- NO TOKENISM HERE – “Quality film-making is the key,” Boseman argues, “You don’t wanna do films with black casts and directors just for the sake of doing it. Critical acclaim and commercial success is the goal. Also the way we work together as artists; giving to one another and sharing in the work. That’s what a renaissance is: artists who wanna be around each other and work together. It won’t be a fad as long as that love and community continues to exist. And it’s about people. Not the studios or the word ‘Hollywood’. Most people wouldn’t even know that Nate Moore is black, but he’s one of the shot-callers at Marvel. It’s not just the black people, though. The fact that you have someone like Kevin Feige [president of Marvel Studios] and Alan Horn [chairman of Disney], who are white, is important because they’re progressive thinkers. Everybody’s minds are opening up, people are more conscious than they used to be.”
- PROFIT MOTIVE – Perhaps the greater range of representations of African Americans is simply a reflection of economics. There were 5.6 million African American moviegoers that were recorded going to the cinema in 2016 (National Association of Theater Owners). African Americans make up 12% of the population, they accounted for 14% of ticket movie ticket sales in 2016.
Thanks to Jathis who has recommended this website:
This video has a very clear concept and the social activist message is clear – how can we be better humans?
Things to consider with your productions:
- Not all of the shots are of outstanding quality – the director has chosen to keep some low quality footage. For example, the man at the start of the video who says “…being a human is pretty much the hardest thing to be” is included because he sets up the fundamental part of the narrative – what it means to be human. Also when the footage of when the Indian man speaks is of a low quality but it is included because of the emotional impact of what they say is very important to the narrative.
- However, a large number of the shots are very cinematic and visually striking – this is important to help create the requisite mood and audience engagement
- Notice the editing – the interviewees’ stories are interwoven to maximize the emotional impact. For example, the African American father appears a number of times but it only during the climax of the video he reveals he has a son who has “crossed over” and that he doesn’t care because he is a good person. This is interwoven with the images of the female couple etc. Another good example is the father of Max. The story of the two is built throughout the video and the final shot of the video are of the two of them hand in hand.